Visual Music/3D Sound!

I went to see Blast! again tonight, this time at the Lyric Opera House in Baltimore. What a beautiful venue, and acoustically enhancing! Music - in 3D!

My bride got me (us!) wonderful tickets as a birthiversary gift, second row balcony, right on the 50 yard line to boot! The audience (especially the band kids behind me) was ready, and responded well! It was truly "drum corps indoors". The sound was (especially compared to what I heard last night) awesome!

What did I think about the show, especially since I saw it a month ago? Well, I am told Yogi Berra (see previous post) had a son who was one day asked if he was anything like his word mangling father. "No," he is alleged to have said, "our similarities are different."

Maybe like any drum corps show, this performance was better in a nuanced way, responsive to the differences in the venue. The audience's active feedback to brought more out the performers as the show progressed (especially since they opened as if they were a bit tired and just off the bus). It was the same, but it wasn't. It was ... better! It was a great way to end this month, and now we are six weeks from the start of the summer!

The sound - and the fury

Before this blog was started I would e-mail a good friend my Review of various DCI events - both the shows on the field and the event itself. Last night I attended - with son #2 (trumpet player, 7th grader) and about 4 dozen others - The Countdown, DCI's cinema review/preview. The corps were pre-recorded, the order pre-set, and so the deal this time is the event itself.

The Countdown, featuring the fans' Top 5 of the previous three years, was in many senses a chance to see and hear what few of us saw live and most of us saw on the small screen in edited format. We sat with great anticipation - 6 great corps, wide screen, fabulous sound - a great way to watch drum corps!

Ugh. I called my good friend, who attended in another theater. "Was your sound bad?" "Yeah." "Ugh." So here we are with a chance to get people, including newbies (the guy behind me invited a date who has never seen drum corps) and high school band students, to really experience drum corps in a way only a live show can exceed, and ... the sound was just bad. A buzz. Front speakers only. So bad, even the picture didn't seem as crisp.

I take notes to expand my reviews. Rather than do that, here they are raw: "Bluecoats - Sounds flat." "Blue Devils - This is the movies, so why do we get analog TV technology?" "Cadets - No surrounding sound. " "Phantom Regiment - I get better sound in my car." Cavaliers - {No comment on sound; was mesmerized by design and my son observing something about the contras that I have never ever noticed! Check out their aussies ...} "Carolina Crown - 5.1 audio? Really?"

That last comment goes what Reliable Rondo. said about the (blu-ray?) DVD DCI is marketing "with Dolby 5.1!" If DVD buyers get Dolby 5.1, why didn't those of us in the theater?!

While my biggest disappointment is that there were no band kids in the audience (son #1 is with his band in Florida), when the sound in a professional theater is worse than what I heard at the "From the 50 Yard Line" screening, maybe that is a good thing.

Well, and something else. DCI ... so politically correct with itself ... in a show supposedly featuring the best of the best, the excitement of excitement, the event to sell tickets, ends with the Anaheim Kingsmen alumni corps, a throwback that means nothing to new fans. (Yeah, they have a role in the world, but not in the theater. I'll have to write about this later.)

It was not, as Carolina Crown's staff noted in describing the concept behind their 2008 show*, a powerful ending. The past few weeks have been fabulous experiences for me. It's a good thing that tomorrow I go see Blast! again. The Countdown was not the Fine' of a fine April.

* It's not on their website, but the open secret is what I think is setting up to be a Triple Crown topper they are calling Fine'. I - cannot - wait!

It's enough to make a grown man cry

Marching music has a few standard descriptors used for the uninitiated (or unconverted!), one being "Broadway on a Football Field." Last night we again scurried up to NJ - four of us on this trip - to snag a train into The City that Never Sleeps to see Phantom of the Opera at its home for 20+ years, the Majestic Theater on Broadway. (No football fields in sight, unless you count my glimpse of the Meadowlands in the distance!)

Phantom has been featured many times on a football field, from Santa Clara Vanguard in 1988 to Severna Park HS in 2008 (see photo far upper right). But occasionally we band geeks need to go back to the source of the inspiration. And I was, well, inspired!

First, Howard McGillin, the Phantom ... ohhhh, my. What -- a -- voice. He made this grown man cry. (Our group had a little connection to the cast, as the current Christine went to school with one of our directors.)

Second, when constrained by an 9 to 11 minute time limit in a show, some music gets left on the design room floor. We band geeks forget that other music is supercool ... I appreciated again Notes/Prima Donna, and on the train home wondered how that sound and music (especially with the 6/8 feel) could be conveyed on the football field.

Third, while shows I've first seen or music I've first heard on the football field (far too many to list) have sent me to the original, there is a reason to return from the familiar to see and hear the original compositions as they were meant to be performed. The visual effects were dynamic! We forget that while our stage is, in essence, a 110 x 55 yard canvas, the limitations of the theater require a lot of creativity as well.

But, really, what struck me was a question asked of a few of the cast members our group was fortunate enough to have some Q&A time with after the show (arranged via our cast connection and a contribution to Broadway Cares). Some of the cast have been in the show almost as long as the kids have been alive, you see; and even those who haven't are still performing the show night after night after night. It was asked, "How do you keep it fresh, night after night, year after year?"

These weren't the exact words, but this is what I remember: "Sometimes it is like a job, and you wake up and you think, I really don't want to do this again tonight. But then you remember that someone in the audience has never seen this before, and someone else may have seen it 12 times. You have to give them what they came for, what they are paying for - a performance, from you. They are giving you something, and you give back. It's all about the performance."

Last fall I told my son, "You guys are hitting the notes, and hitting the sets, but you are not yet performing." I hope, after last night, he "got" what I've been saying. Perform! And one day it will hit you just how utterly cool it is that someone is going to want to actually give you money to perform what you absolutely love to do, day in and day out, for 20 or 30 or 40 years.

Whether it is music or not, when Dads can help sons learn that, well ... it's enough to make a grown man cry.

Review: "From the 50 Yard Line" puts you in the middle of the field of effort and emotion

About 10 years ago I heard a rumor about a movie concept that centered around a kid who had to overcome some adversity or another to perform with drum corps, specifically the now-defunct Magic of Orlando, something probably given a bit of legs given the connection between DCI, Disney and Orlando. I don't know if it was just that - a rumor - or if it was the early rumblings of what would become "DrumLine."

That movie was okay. But in reality, while the passion for band and drum & bugle corps and winter guard is individual, its source is a group-driven energy, from being part of something greater than one's self. The group itself matters, something that is hard to explain in film, a medium given to focusing on a individual characters.

All that to say this - today my oldest and I scurried up to NJ to screen "From the 50 Yard Line" (see a few posts below), the latest attempt in telling the story. And to my surprise - they get it right. Wait. Right? No. They get it dead on.

The Centerville (OH) HS Band is the focus of the documentary-that-is-really-a-movie, although it also touches on the West Hollywood (CA) Fairfax High School, a "new" band in a school that hasn't had one in 18 years. The story is a simple year (April 2006 to April 2007) in the life of the band, one that captures all of the things I have seen and experienced in band.

Joy. Tears. Work. Life-saving. Life-enhancing. It is every cliche' in the band book, but none of them. It tells the story to those who don't know it. It affirms it for those who only experience it from the outside looking in. And it validates it for those that live it. You know, the kids who ... and the kid who ... and then there is the kid who ... all come together to be ... a band.

From auditions, to band camp, to group sessions, to rehearsals, to rain, to sun, to personal confessions, to the airlock, to the speech, to the banquet ... with third party humor thrown in (Bandology 101, 201 ...) ... the story captures one band and every band. It was immensely personal to me - the trumpet-to-mellophone conversion made me grin large, and then one student makes a short speech that pulled my heart hard because it was ripped right out of my son's band during his freshman year.

"From the 50 Yard Line" celebrates band, its relationship with football, and just plain fun. It lets the kids tell the story in a Charlie Brown-esqe fashion, with only appropriate interference from the teachers and with parents vital yet all but invisible. It shows the "show" like I think a good band movie should (and I think uses some digital tricks to enhance the viewing experience - see if you can find them). It uses modern camera techniques ("the band cam") but doesn't overplay them. The trailer soundtrack bothered me because I never heard the band itself, but now I have to say that the soundtrack was very fitting AND moved the story along.

The film is about 90 minutes long, and it is tight packed. If I had a one complaint, it is that I wish it would have done more of the compare/contrast with Fairfax. But this is a soft and pretty much personal complaint (my own North Dallas HS was similar in size and demographics and history of famous alumni); it would have been difficult to do this without shortchanging the story of each.

So - go find it, and go see it. I'm going to try to get more screenings set up even here. I wish today's good host, the Williamstown (NJ) HS band, had been able to fill the 1000 seats of the auditorium instead of just a few dozen. I think they tried, but needed more band support in the area.

But hey! Band camp is just a few months away ... less time then that when you take out two months for summer. Find a chance to screen the film for your band. Include the 8th graders. And do it before band camp (or so my son says).

Oh - and Mr. Harris - thanks for helping change my life ...

(Blogger's note: I visited Centerville a number of years ago when a tour volunteer for Carolina Crown, however I don't recall much other than Soaring Sounds being a well run drum corps show in a great venue. However, the fine two organizations are now linked through CrownTickets!)

The photo below ...

... was taken at Carolina Crown's NightBEAT (home) show toward the end of its first season (1990). While the "crown" outline regularly sneaks into the drill, this was the only time the horn blast tarp was ever used.

Crowning Achievement

This is a long story and blogs don't do well for long stories. (You can read that here.) But in 1990 a small group of people passionate about drum corps let me join them in what was then a two year old quest toward the start up of a dream: the Carolina Crown Drum & Bugle Corps.

The geek I am, I had written the business plan (as an MBA project, the first time a non-profit had been selected as the subject in the history of that entrepreneurship class) a few years before. They, of course, had lived it, or in some cases just loved it wholeheartedly. And so like any organization, we set off on the journey.

There are innumerable stories of what brought us together, of what sometimes tore us apart, of new people coming in for life or for just the right brief moment, but ultimately this organization gave us all a chance to share a passion with kids and then audiences throughout the country.

We worked hard with no material return. We worked for the kids, and I am sure deep down for the satisfaction of being able to one day stand up and say, "We created that." No, not the shows themselves, or the music - those were vehicles. We created an organization and programs that soon found its way into a few words ...


To develop lifelong excellence in young people through a superior and challenging performing arts education experience.

That "one day" is, I believe, finally here.

On April 24 in theaters across the country, DCI will feature a Countdown of the six recent fan favorites. On this night, Carolina Crown will reach a pinnacle: It will be the final corps shown, the #1 fan favorite in the years 2005-2007.

A former board officer, I haven't been heavily involved in the corps since 2000. But on that night I imagine I am going to be like a proud Dad, because I helped give birth to the best. Aside from my own kids - but including my own career - this always will be one of my proudest achievements.

And you need to see it. Follow the link below.

From the 50 .... You Can Still March 4 Music

If you've seen the website www.march4music.com you know it is the home of the self-titled National Fundraising and Awareness Outreach Program for Instrumental Music Education in Schools. Never heard of it.

However, the website seems to me to be part social networking for bands and part promotion for the film From the 50 Yard Line. (Click on the poster for the trailer or the title to go to the site.) I hit the site earlier in the year, but didn't sign up for e-mail alerts, so I missed the film when it came to Maryland ... meaning I may have to venture up to New Jersey next week.

A previous press release noted that the New Jersey screening is of "a professional movie that chronicles the Centerville High School Marching Band. It has been winning independent film festivals throughout the country for the past year. This will be a great opportunity to educate students, parents, and administration as to what marching band is really about and how important it is to our young people. Half of the proceeds will be donated to an organization called"March 4 Music, a non-profit organization that donates musical instruments to underfunded music programs. "

So there it is, in their words. I don't know much more, and so I'll leave it at that. Maybe I'll make this month the get ready for marching season month and go check it out ... or maybe bring it back to Maryland just in time for band camp ...

Sunday, April 13, it will show at Williamstown (NJ) HS at 3 p.m. Tickets are $6.50 ($5.50 for students), with half going to M4M and half to the school instrumental music program. WHS is at 700 North Tuckahoe Road, Williamstown, NJ.

Maybe I'll see you all there ... or on April 24 in another theater for the DCI theater event ... or some other 50 yard line seat ...!